WRONG DISNEY

Wrong Disney originates from a deliberate error: deforming what memory considers untouchable.

Disney characters, now icons of contemporary mythology, are stripped of the perfection of the model and returned to an unstable, eccentric, and sometimes grotesque form. Deformation thus becomes a critical act: it does not destroy the image, it sets it back in motion.

From Expressionism to Pop Art, art has often betrayed the figure to reveal a deeper truth. Here, the betrayal affects a childish, collective, and apparently innocent imaginary.

But taste is never innocent.

What we call “wrong” is often just what no longer coincides with the habit of our gaze. Wrong Disney works precisely in this fracture: between recognition and rejection, nostalgia and mutation.

Because even icons grow old.

And, sometimes, deforming them is the most effective way to make them come alive again.